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Eric Khoo’s erotic drama In The Room resubmitted to MDA for classification2 min read

27 January 2016 2 min read

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Eric Khoo’s erotic drama In The Room resubmitted to MDA for classification2 min read

Reading Time: 2 minutes

The made-in-Singapore erotic drama In The Room will be released here after all, following controversy after it was withdrawn from the classification process.

The film will be given a general release here with an R21 rating on Feb 25, according to a press release from distributor Encore Films.

However, a spokesman for the Media Development Authority said: “We have yet to receive the International Version of this film, which we understand will be submitted for classification soon.”

Directed by acclaimed Singapore film-maker Eric Khoo, the film screened at last year’s Singapore International Film Festival, as well as at festivals overseas.

At the festival last December, Khoo and his producers said that they were unable to get the R21 rating they desired from MDA for general release.

In a follow-up at that time, the MDA said that “in consultation with the Films Consultative Panel, MDA had deemed two scenes in the movie In The Room to have exceeded our classification guidelines for sexual content”.

“MDA informally advised the distributor that the film could be classified R21 with edits for commercial release. However, the application was subsequently withdrawn. As such, MDA has not officially classified the film for commercial release.

The film was classified R21 uncut for the SGIFF. More leeway is given to film festivals as they play to a niche audience and have limited screenings.”

Khoo in December said that he would not edit In The Room for the sake of a classification. Written by Jonathan Lim and Andrew Hook, the drama consists of six short stories taking place over different decades in room 27 in the fictional Singapura Hotel.

Dedicated to late author Damien Sin, it features a pan-Asian cast and a screenplay inspired by the soft-core foreign works of the 1970s, including The Story Of O (1975) and Emmanuelle (1974), but with references to moments in Singapore’s cultural and social history.

Read the full article here >>

via: The Straits Times

Image Credit: Singapore International Film Festival / Eric Khoo

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