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KNOW YOUR CREW: A POST-PRODUCTION SUPERVISOR ON THE PITFALLS DIRECTORS SHOULD AVOID1 min read

23 September 2015 < 1 min read

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KNOW YOUR CREW: A POST-PRODUCTION SUPERVISOR ON THE PITFALLS DIRECTORS SHOULD AVOID1 min read

Reading Time: < 1 minute

“Movies are made in post-production.”

While some producers and cinematographers may take issue with this maxim, Nancy Kirhoffer, an accomplished post-production supervisor whose credits include Memento, 50/50 and Bernie, makes a compelling case: “Movies are three things: picture, sound and music and two of those happen in post-production.”

Last week, Kirhoffer spoke to Film Independent Members about the responsibilities of her position. “I basically take over from the line producer. My job is to get the film through post-production. I oversee the editing, sound, music and I make sure it’s delivered.”

Kirhoffer recommends finding a post-production supervisor in pre-production. After all, they’re the ones responsible for helping the film reach the finish line.

“I’ve worked with so many people whose first movies never get finished.” By bringing in a post-production supervisor early on, filmmakers can know what to expect when they arrive at the editing bay, how long they should take to finish the film, and how much they should expect to spend.

Read the full article here>> via Film Independent
Image Source: Film Independent

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