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	<title>Comments on: White Days &#8211; Review</title>
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		<title>By: 13 Little Pictures in NUS &#171; 13 LITTLE PICTURES</title>
		<link>http://www.sinema.sg/2009/06/09/white-days-review/comment-page-1/#comment-34600</link>
		<dc:creator>13 Little Pictures in NUS &#171; 13 LITTLE PICTURES</dc:creator>
		<pubDate>Sun, 07 Mar 2010 05:28:45 +0000</pubDate>
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		<description>[...] “An impishly enjoyable debut that is notable for being so relaxed; and this in itself is refreshing.” – Mathias Ortmann (Read the full review) [...]</description>
		<content:encoded><![CDATA[<p>[...] “An impishly enjoyable debut that is notable for being so relaxed; and this in itself is refreshing.” – Mathias Ortmann (Read the full review) [...]</p>
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		<title>By: The Year With 13 Pictures &#171; 13 LITTLE PICTURES</title>
		<link>http://www.sinema.sg/2009/06/09/white-days-review/comment-page-1/#comment-34597</link>
		<dc:creator>The Year With 13 Pictures &#171; 13 LITTLE PICTURES</dc:creator>
		<pubDate>Thu, 31 Dec 2009 03:32:41 +0000</pubDate>
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		<description>[...] impishly enjoyable debut!&#8221; - Mathias Ortmann,  Film critic on White [...]</description>
		<content:encoded><![CDATA[<p>[...] impishly enjoyable debut!&#8221; &#8211; Mathias Ortmann,  Film critic on White [...]</p>
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		<title>By: White Days Theatrical Release &#171; 13 LITTLE PICTURES</title>
		<link>http://www.sinema.sg/2009/06/09/white-days-review/comment-page-1/#comment-32761</link>
		<dc:creator>White Days Theatrical Release &#171; 13 LITTLE PICTURES</dc:creator>
		<pubDate>Tue, 04 Aug 2009 11:27:45 +0000</pubDate>
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		<description>[...] &#8220;White Days may very well be the least controlled Singaporean feature film ever, and it is in letting go that its directorial paradigm takes a minor yet enlightening flight. It is a road movie, only at a snails pace. Or maybe the marginal movement is vertical rather than to be measured in linear progress. It is timed as idleness but the workings are all there: internal, but not beyond perception and on almost involuntary display â€“ the truthfulness of surface, as the director put it. Directorial interventions are pointed, effective and clear. They compliment the temperature of a film that is not as random as it may seem, but intelligently lends itself to the play and interaction of its cast with a minimal amount of calculation and guidance. An impishly enjoyable debut that is notable for being so relaxed; and this in itself is refreshing.&#8221; &#8211; Mathias Ortmann (Read the full review) [...]</description>
		<content:encoded><![CDATA[<p>[...] &#8220;White Days may very well be the least controlled Singaporean feature film ever, and it is in letting go that its directorial paradigm takes a minor yet enlightening flight. It is a road movie, only at a snails pace. Or maybe the marginal movement is vertical rather than to be measured in linear progress. It is timed as idleness but the workings are all there: internal, but not beyond perception and on almost involuntary display â€“ the truthfulness of surface, as the director put it. Directorial interventions are pointed, effective and clear. They compliment the temperature of a film that is not as random as it may seem, but intelligently lends itself to the play and interaction of its cast with a minimal amount of calculation and guidance. An impishly enjoyable debut that is notable for being so relaxed; and this in itself is refreshing.&#8221; &#8211; Mathias Ortmann (Read the full review) [...]</p>
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